She is plastic artist and a historian of art. From the childhood, she likes drawing and painting. She attends course of art at the school of Vienna, Isère, her home town. Her passion for art the leads her to studie history of art which she pursues until the her Master's degree. Her diploma in hand, she is recruited by the museums of Vienna for which she worked for for 10 years. At the same time, she develops her own artistic techniques and her personal creation. In 2002, she exposes for the first time her work, in collective, during the international festival " Jazz in Vienna ". Since then, this artist to the well marked, at once roguish, sensitive and dreamy personality, multiplies exhibitions and plastic interventions. She exposes in individual or collective in diverse festivals of music and poetry between 2003 and 2005. But also in galleries: the Test galleries of Bailler and Zopa in Vienna and the gallery Mastiq in Lyon welcome her works in 2006, 2007, 2008. The Viennese independent bookshop "Lucioles" presents her work in 2006 and 2008 as well as the library of Croix-Rousse, Lyon, in 2008. Following these exhibitions, we was proposed to revisit the design of their youth and transitionnal spaces. In 2007, she is chosen to represent the French culture in a "wine bar" of Month Backer, in Australia. She realizes performances: " Pictorial improvisations of Jazz ", in 2007, 2008 and 2010, which result is presented in the museums of Vienna, or still " Creation in situ 07 " who allows to enrich the collection of contemporary art of the high school of Saint-Romain-en-Gal, Rhône. In 2008, she creates the surprise and marks spirits with an installation of large-scale short-lived art: the city discovers a deployment of more than 2500 paper hens in the heart of the festival " Jazz in Vienna ". She also respond to commands for private, associative structures, and institutional (pole companies, medical and social center, library. Delphine Rioult plays with techniques: drawings, paintings, photography and its tool of preference " the mouse ". She investigates a virtual universe, spaces out in future, infinite construction set in which pixels mix and mix in the painting, in ink and in collage. The world which she imagines is a vector of poetry. She wants to embrace your glance, to exchange, to get your imagination. Between present and eternity, visible and invisible, her images look for a point of vision, for a new angle which confirms a sense hidden in the relation between the man and his environment. Hinge between images of the world and mental images, her, works resound in mirror. A semiotic mirror which contains basically the keys of a story in the dreamlike lines, a story still to be invented.